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https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423146662-BM1K1MO30P3FHYBCD6CV/Nadine-Altounji-+Quito-nightview.jpeg Journey Nighttime view of a city with many buildings, city lights, and a hill with what appears to be a large statue on top, illuminated against a cloudy sky. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423150345-4R5IDF8UL00LUH909LUT/Nadine-Altounji-David-Betancourt.jpeg Journey Man sitting outdoors on a railing overlooking a cityscape with hills and cloudy sky. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423153665-MCF6BHURG8L900CIB9ZN/Nadine-Altounji-Otavalo-Ana-Cachumel.jpeg Journey Two women standing side by side smiling in front of a colorful mural featuring faces, animals, and abstract patterns. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423156009-3OTZ9YTPJGWOK61V60XO/Nadine-Altounji-Traditiones-Sanclemente.jpeg Journey Sign with the words 'Tradiciones San Clemente' on a brick wall, surrounded by trees and greenery. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423158813-JDTZ1WER4YSASV766QGT/Nadine-Altounji-Pinchinchavolcano.jpeg Journey A woman sitting on rocky mountain terrain with a scenic valley and cloudy sky in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423450741-K5AALQP2SRYP29DQPA5E/Nadine-Altounji-Quilotola.jpeg Journey A woman standing on a dirt trail overlooking a large volcanic crater lake surrounded by mountains. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430728527-TET6EU0LI1SH4IPIVC04/Nadine-Altounji-Museo-Afro-Peruano-de-zan%CC%83a-3.jpeg Journey A young woman with curly hair, wearing a black sleeveless top and jeans, stands in front of a wall decorated with colorful vintage album covers. She is holding a small object and has a backpack on her shoulder. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430730825-22T92MO74SUFRESSE5DY/Nadine-Altounji-Pi%CC%81sacmarket.jpeg Journey Street market stall displaying traditional wooden flutes, surrounded by colorful textiles and clothing in an outdoor market setting. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430734031-88J9D1DY1QBVXGXLM6KI/Nadine-Altounji-Zan%CC%83a-Afro-Peruvian-Instruments.jpeg Journey Display of traditional drums and percussion instruments, with photographs on the wall in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430734598-4NAAAYHB1MLFFTB7PYW5/Nadine-Altounji-Parquedelamor.jpeg Journey Two people playing guitars while sitting outdoors near a lighthouse, with a crowd in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430737860-1N4FNR5LG154JQI1PZ8Q/Nadine-Altounji-Volcanoviews.jpeg Journey Photo of a stone wall with signs indicating the heights of three volcanoes: Ampato at 6,288 meters, Sabancaya at 5,976 meters, and one unnamed volcano, against a landscape of rocky terrain with small water bodies and distant mountains under a cloudy sky at sunset. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430739120-2RPOSEA3PVC1IGTKAL5T/Nadine-Altounji-Quijada.jpeg Journey A worn, green and white animal skull, possibly a whale or large mammal, displayed on a black surface with a wooden box behind it, inside a glass display case with posters visible in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430740299-T4VWWV0WZY4KTA2HSSB2/Nadine-Altounji-Museo-Afro-Peruano-de-zan%CC%83a-2.jpeg Journey A man and woman standing outside a white building with a sign that reads 'Museo Afrop peruano.' The man is wearing a wide-brimmed hat and glasses, and the woman has curly hair, both are dressed in black. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430742437-MCBU5RK7M0F89LNEH4M0/Nadine-Altounji-Lima.jpeg Journey A woman with dark curly hair pulled back, wearing a blue top and backpack, taking a selfie overlooking a city with a mountain in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614626810805-AD63ZE1XZXZH6CE76HIE/Nadine-Altounji-Elbarriode-Noberto.jpeg Journey A woman sitting on a stool with a guitar in her lap, smiling, with an older man standing beside her in a room decorated with hanging guitars on the wall, including acoustic and electric guitars, and a window to the left. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613430941659-P8EZUGL42W0A8XQMKZOY/Nadine-Altounji-Cuscostreetview.jpeg Journey https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613431049149-5BG5W0598INWIJIPI12G/Nadine-Altounji-Elbarriode-Noberto.jpeg Journey https://www.nadinealtounji.com/about-us daily 0.75 2025-11-27 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613415530284-1C50GAECEVKFNENP77UQ/Nadine-Altounji-about.jpeg https://www.nadinealtounji.com/marchadeflores-2 daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613441787953-WDCHLPVPWT4WOHAA0P52/NadineAltounji_Marcha_Cover_Final_HighRes+%281%29.jpeg Marcha de Flores-2 - MARCHA DE FLORES Nadine Altounji met poet/dancer Marcia Castro Gamarra at a party in Cusco, Peru in 2018 and their connection was instant. The two women spent time together working on concepts for songs as they bonded over discussions about art, women’s rights, colonialism, dispossession, and privilege in addition to their individual personal experiences with dealing with the complexities of embodying and existing within intersecting cultures and identities. Marcia offered to write a poem for Nadine about the women’s rights protests that had been ongoing in the region. “I ran home and looked for inspiration,” recounts Marcia. “I watched the news and started to think, why are we protesting? What are we looking for? What happened to the women in the protests?” Marcia’s own lived experience of surviving an abusive relationship had transformed her understanding of feminism, herself and domestic violence. Being victimized by an intimate partner is isolating and humiliating, and far too often fatal, but for those who survive the healing begins when women stand together and demand change. From Warsaw to Cusco, women have taken to the streets demanding liberation from oppressive religious laws that seek to control our lives and our bodies. Inspired by how women across South America have been fighting the patriarchy for their right to live in peace, Marcia wrote Marcha de Flores. This poem examines the ground, watered by women’s blood, in which the flower of resistance bloomed. The video for Marcha de Flores was filmed, compiled and edited by Victorine Sentilhes. The video’s imagery includes photographs from the feminist activist group Genero Rebelde which document the Cusco protests, video footage Victorine had previously filmed in Chad and Haiti, as well as additional footage she shot in Montreal with a range of women to illustrate the universality of the issue of violence against women and to demonstrate solidarity with this important cause. We chose to release this video on Women’s Day in honour of our sisters, mothers and daughters and our collective struggle for equality and freedom. Violence against women, in all forms, must end. https://www.nadinealtounji.com/about-2 daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613415530284-1C50GAECEVKFNENP77UQ/Nadine-Altounji-about.jpeg About-2 - Nadine Altounji is a Montreal-based singer, songwriter and multi-instrumentalist who’s musical passion and skills are deeply rooted in the rich soil of her family’s Syrian homeland. In addition to being a talented vocalist, Nadine is a consummate musician, playing the piano, guitar, bass and oud. Her first solo EP I Still, which fuses Middle Eastern music with a folk and pop sensibility, was released in 2016 (under the name Nja). Her latest release, an album entitled The Stories that Tie Us to Trees, combines Middle Eastern and South American musical traditions, whereby Nadine reclaims her full name and her identity as a citizen of the world. A first generation Canadian, Nadine grew up hearing her Syrian grandmother play Middle Eastern classics on the piano, learning to play herself at the tender age of five. She later chose music as her profession. Nadine formalized her interest in music and its cultural significance by studying guitar at Concordia University and earning a BFA in Integrative Music Studies. A skilled musician, who has studied and taught music her entire life, Nadine has also put her talent to use working with other artists. As a songwriter and guitarist, she has collaborated with Montreal artist Wayne Tennant on several of his releases. She is also a member of the renowned Montreal musical collective Kalmunity, and the Imani Gospel Singers. Over the past five years, Nadine has turned her focus towards exploring and connecting with her Middle Eastern heritage, learning how to play the oud, a traditional Middle Eastern instrument that her great grandfather played. Her first solo release, I Still, was a personal musical and lyrical journey to self-acceptance and a wider realm of self-expression. Her second solo release explores similar themes from a more expansive perspective. After receiving a Research and Creation Grant from Canada Council for the Arts, Nadine spent four months in Ecuador and Peru researching and exploring local musical forms and traditions, as well as discussing issues of identity and culture, before returning home to Montreal to write and record her latest project, The Stories that Tie Us to Trees. https://www.nadinealtounji.com/bint-el-balad-2 daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613591478022-LWUYJ161CJ58B6DAY16C/NadineAltounji_Bint_Cover_Final_HighRes.jpeg Bint el Balad-2 - BINT EL BALAD Bint El Balad is a celebration of women of South West Asian and North-African descent born in the diaspora. It celebrates women who dance between worlds and are transformed. The song brings together Nadine Altounji,Nadia Bashalani and Dana El Masri, three women whose roots run deep into the rich soil of their parents’ Syria, Lebanon and Egypt homelands. Nadia and Dana are the lead vocalists on the song, and Nadine and Mark Alan Haynes wrote and arranged the music. Nadine also plays the oud on Bint El Balad, an instrument she’s spent the past three years learning, which her great-grandfather from Aleppo also played” Nadine suggested the concept and title Bint El Balad, which is also the song’s chorus, but it was Nadia and Dana who wrote the song’s lyrics. Inspired by the title of the 1955 Egyptian film Bint el balad (or Country Girl in English), the song references how the trope of the bint el balad in Egyptian film was itself changed when a regime change brought state control of cinema and, inextricably, control of the depiction of women. Nadine felt a desire to liberate the bint el balad from the authoritarian male gaze, to reimagine her through the loving gaze of women. This desire led her to ask, “who is a bint el balad in the modern age?” This song is both the question and the answer. Shot and edited by Victorine Sentilhes, the video for Bint El Balad features Nadine, Nadia and Dana. It portrays the evolution of the bint el balad from the past into a modern, liberated incarnation of the dancer, her clothing reflecting this transformation. Above all, it is a celebration of women, not as objects to be gazed upon but as people to be celebrated. In this intimate world, these women of the diaspora sing and dance themselves into the wholeness of their being. https://www.nadinealtounji.com/escarba-en-mi-alma-2 daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613625064576-30EFN6K4JM0DLCANZMPR/Escarba_en_mi_alma.Final_HighRes.jpeg Escarba en mi alma-2 - ESCARBA EN MI ALMA Escarba en mi alma emerged from a songwriting collaboration that reaches across borders. Inspired by the Peruvian guitar and dance style, form the Tondero, this song features Nadine Altounji on guitar and vocals. The music was written in collaboration with Pedro Diaz, a Montreal-based, Peruvian singer-songwriter. Peruvian poet and dancer Marcia Castro Gamarra, who Nadine met and bonded with while doing research for the project in Cusco, Peru, wrote the words. The Spanish lyrics poetically explore the deep and intimate longing to reclaim cultural knowledge, kinship and the roots that had been unearthed and hidden by the ravages of conquest, colonialism and time. The video for Escarba en mi alma, which features Marcia Castro Gamarra’s dancing, was filmed by Peruvian filmmaker Johan Carrasco in Cusco, Peru (with additional footage of Nadine shot in Montreal by Victorine Sentilhes). The first flower of this fertile cross-pollination, the visuals capture a deep and resonant longing embodying the juxtaposition of joy and pain that is inherent to the human condition, exposing the fine filaments of emotion that connect our hearts across time, space and culture. https://www.nadinealtounji.com/bint-el-balad daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/0c3fdb9c-8ee9-4458-a54c-98b9ef6c90ba/teaser.767.Still016.jpg Bint el Balad An aerial view of a desert with sand dunes and the text 'Daughter of the Land' in English and Arabic overlaid. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196856705-74T2MMM447DZW0VVJL2N/Nadine-Altounji-bint-el-balad-17.jpeg Bint el Balad - Nadine Altounji Bint el Balad-2e Close-up of a woman's eye with white eyeshadow, long lashes, and a small crystal below the eye. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196860294-UJ5JZZLQ2GX5J3Q1UDMB/Nadine-Altounji-bint-el-balad-33.jpeg Bint el Balad - Nadine Altounji Bint el Balad-8e A woman with curly hair smiling and lying on her back in bright sunlight. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196858595-0I7OG467X8OH63E5VHJM/Nadine-Altounji-bint-el-balad-18.jpeg Bint el Balad - Nadine Altounji Bint el Balad-3e A person in a black dress with gold sequins sitting on the sand, sprinkling sand onto a large piece of driftwood or rock. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196859224-3UTHZD7M2G95K6Y73UXN/Nadine-Altounji-bint-el-balad-19.jpeg Bint el Balad - Nadine Altounji Bint el Balad-4e A woman with dark hair smiling and laughing, lying on a bed with a colorful quilt. There is a hookah pipe on a wooden surface beside her. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196857392-S69UTTR9E31P2F156EE4/Nadine-Altounji-bint-el-balad-22.jpeg Bint el Balad - Nadine Altounji Bint el Balad-5e Person holding a small white cup of black coffee, other hand holding a gold-colored goblet, both hands showing rings and jewelry, on a decorative tray with a gold-colored container in the background. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196856248-MHPPBY7JRRESYS7PHNCU/Nadine-Altounji-bint-el-balad-26.jpeg Bint el Balad - Nadine Altounji Bint el Balad-6e A woman dressed in a light-colored embroidered dress and flowing sleeves stands outdoors against a blue sky with scattered clouds. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614196859833-1LB75Q0TDH1FH60YD7MI/Nadine-Altounji-bint-el-balad-32.jpeg Bint el Balad - Nadine Altounji Bint el Balad-7e Three women smiling and posing outdoors against a blue sky. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613588730494-E2A9OXQCY6FP2S8CP5WK/NadineAltounji_Bint_Cover_Final_HighRes.jpeg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613441787953-WDCHLPVPWT4WOHAA0P52/NadineAltounji_Marcha_Cover_Final_HighRes+%281%29.jpeg https://www.nadinealtounji.com/escarba-en-mi-alma daily 0.75 2024-02-07 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192524192-5OU2E3CQADRKXFVYYQGH/Nadine-Altounji-Escarba-en-alma-9.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-1-e A woman lies on her back on a grassy hill with her arms stretched out. In the background, there is a cityscape with numerous buildings and mountains under a partly cloudy sky. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192524851-RN5RPKOWF1QDSTX4QMU2/Nadine-Altounji-Escarba-en-alma-16.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-2-e A person lying on their back outdoors during sunset, with legs bent and a hand on the thigh, hair flowing on the skin, backlit by golden sunlight. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192525746-O8RABAMMTNLZPMHWTU8V/Nadine-Altounji-Escarba-en-alma-15.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-3-e Young woman with curly hair in a sleeveless top standing outdoors near a leafy tree during daytime https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192526420-UWJXUOLWOBABZQC9BV4W/Nadine-Altounji-Escarba-en-alma-12.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-4-e A woman with shoulder-length dark hair and a tattoo on her arm, wearing a sleeveless maroon top, stands against a cityscape with mountains in the background, as the sun shines brightly. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192527519-9ESC5DFM639QOFXSHHVK/Nadine-Altounji-Escarba-en-alma-11.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-5-e A woman with short dark hair wearing a rust-colored top stands in a forest of tall, thin trees with green leaves, looking upward with a serene expression. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192528163-RHE7SWZQBWU9AC2NSPYD/Nadine-Altounji-Escarba-en-alma-10.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-6-e Close-up of a woman with brown hair covering part of her face, covering her mouth with her hand, in a forest with sunlight filtering through trees. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192528978-4U98G2GLM71P88MUY7W8/Nadine-Altounji-Escarba-en-alma-7.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-8-e A woman with curly hair and a gray tank top standing outdoors among trees with autumn leaves, touching her head, sun shining through the trees, and a serene expression on her face. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614192529811-T6ZAWV2SWXCL815IZHD4/Nadine-Altounji-Escarba-en-alma-3.jpeg Escarba en mi Alma - Nadine Altounji Escarba En Mi Alma-7-e A woman with curly hair plays an acoustic guitar on a dock by the water, with trees and hills in the background under a partly cloudy sky. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613621230455-96TGWFNACXA1IRZAIKGB/Escarba_en_mi_alma.Final_HighRes.jpeg 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https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613591794683-D4RL2DW2DA4TNT951OUD/Escarba_en_mi_alma.Final_HighRes.jpeg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/51136f04-8b89-4e07-b3d8-5decb1a8fc2f/ALABALI-teaser.00_00_02_11.Still025.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/f178a206-18c5-41b1-a0fc-9951b34c7214/67066165-9063-4ff0-9fd6-04738929b5c3.JPG https://www.nadinealtounji.com/voyage daily 0.75 2024-02-07 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423141796-5IMEA1AQMUBQCYRRPL37/Nadine-Altounji-Sanclemente.jpeg Le Voyage Four people and a young girl standing in front of a rustic house with cobblestone pathway, plants, large flowerpots, and a second story with a porch and wooden beams. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423143148-TOOATR0LEDLDVS5EAL3S/Nadine-Altounji-+San-clemene-Ibarra.jpeg Le Voyage A scenic view of a city in a valley surrounded by mountains, with trees and a garden in the foreground. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423144545-GAMIQJ2BXOYQODF2TFOR/Nadine-Altounji-Andreas-Bombas-School-Quito.jpeg Le Voyage Two men sitting inside a room, one playing a guitar and the other playing a drum, with a white sofa and large window behind them. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423146662-BM1K1MO30P3FHYBCD6CV/Nadine-Altounji-+Quito-nightview.jpeg Le Voyage Nighttime cityscape with numerous buildings and streetlights, a hill in the background topped with the Christ the Redeemer statue illuminated at night. https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423150345-4R5IDF8UL00LUH909LUT/Nadine-Altounji-David-Betancourt.jpeg Le Voyage https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613423150993-UJ96402CI79GN5F8TUHA/Nadine-Altounji-Elbarriode-Noberto.jpeg Le Voyage 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Elles ont par la suite passé beaucoup de temps à élaborer des concepts de chansons et à discuter d’art, des droits des femmes, du colonialisme avec les spoliations et privilèges qui y sont associés, ainsi que de leurs propres expériences de vie, où elles doivent s’assumer face à des identités et des cultures complexes et croisées. Marcia a proposé d’écrire un poème pour Nadine au sujet des manifestations répétées pour les droits des femmes dans la région. « Je me suis précipitée chez moi pour rechercher de l’inspiration » se rappelle Marcia. « J’ai suivi les nouvelles et j’ai commencé à me demander pour quelle raison on était en train de protester, quel était le but recherché et qu’est-ce qui arrivait à ces femmes qui manifestaient? » L’expérience personnelle vécue par Marcia, qui est la survivante d’une relation abusive, a transformé sa compréhension d’elle-même, du féminisme et de la violence familiale. Le fait de subir la violence d’un partenaire intime est particulièrement humiliant, conduit à l’isolement et se révèle souvent fatal. Mais pour les survivantes, le processus de guérison commence lorsqu’elles se tiennent ensemble pour exiger des changements. De Varsovie à Cusco, les femmes sont descendues dans la rue pour manifester et réclamer d’être libérées des lois oppressives inspirées par la religion, qui cherchent à contrôler nos vies et nos corps. C’est ainsi que Marcia a écrit Marcha de Flores, inspirée par le combat des femmes d’Amérique du Sud contre le système patriarcal pour exiger leur droit de vivre en paix et en sécurité. Le poème est un hommage aux femmes dont le sang a imbibé le sol d’où ont surgi et se sont épanouies les fleurs de la résistance. La vidéo de Marcha de Flores a été filmée et montée par Victorine Sentilhes. La vidéo comprend des photos du groupe d’activistes féministes Genero Rebelde montrant les manifestations de Cusco ainsi que des séquences vidéo que Victorine avait précédemment filmées au Tchad et en Haïti et d’autres enregistrements filmés par Victorine à Montréal mettant en scène une grande variété de femmes, de manière à illustrer l’universalité de la question de la violence à l’égard des femmes et à montrer sa solidarité envers cette cause importante. Nous avons décidé de lancer cette vidéo à l’occasion de la Journée internationale de la femme en hommage à nos sœurs, à nos mères et à nos filles, afin de souligner notre lutte collective pour le droit à l’égalité et à la liberté et d’affirmer la nécessité de mettre fin à toutes les formes de violence à l’égard des femmes. https://www.nadinealtounji.com/media-fr daily 0.75 2025-11-27 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/72a4fdf2-a44c-4304-88d4-48a2bdc6592d/FB-28-05-22.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/876e4c7d-c976-4385-9687-4a0c8e214af0/arton88147+1.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/553ddcaf-e223-4125-8095-ddc7d82f3a25/PAN-M-360_LOGO-RENVERSE%CC%81_RGB.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/2fcd9415-dd62-46db-83ac-884067d89a78/LOGO+LA+VOIX+DU+NORD_Capture.png.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/2f469d01-afe6-4a48-9ca8-5e8ed9db9fd8/image+1.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/72a4fdf2-a44c-4304-88d4-48a2bdc6592d/FB-28-05-22.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/14ff4789-7fb4-4283-a5e1-aa70c0fd1621/logo-+E%CC%81klectiK+Me%CC%81dia.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/92fdf7cc-3ef5-4223-80a3-37964a990dad/Les-ArtsZe180-logo.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/fa7ce740-4e6d-4798-8233-fc5c22cde13d/Vector.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/9c93085f-ca96-4e11-afaf-aefe3b13a9d2/logo-+lien+multine%CC%81dia.jpeg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/96646d0f-2c4f-4fdf-8967-8e5c152f82c9/cad0620+1.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/fa7ce740-4e6d-4798-8233-fc5c22cde13d/Vector.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/0735fd5c-e433-4175-8669-688ea36d15ea/balado-rci-59317+2.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/0735fd5c-e433-4175-8669-688ea36d15ea/balado-rci-59317+2.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/6268626f-15fc-4427-990a-a2e4bcdbdcfa/dessinemoi-ete-visuel-moteur-ohdio+%281%29+1.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1da1d203-8c1f-4d20-8e21-626666b8ca16/CKRL+89-1+FM+LOGO.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/2bcf1e0a-d45a-4d75-b456-b6d8aa66f104/Radio_Centre-Ville_102%2C3_FM_logo.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/7dcb8b8d-596b-4e64-b7c6-913f385558cd/ICI_Premiere_logo.svg.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/9cb9b564-b5ed-4912-8dc8-2bf1e3f61c95/Capture+d%E2%80%99e%CC%81cran_Le+matin+du+Nord_logo.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/4486515e-bd63-4c27-a072-d26c001daf75/Screenshot_20230713_164501_Drive.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/19495ba5-3367-4ff8-b007-d7e04bedf2d4/LogoLoungeUrbain.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/13d7fbf8-1ece-49d9-80c2-dde0c220eb10/Group+61.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/7609a43b-f459-48cc-9ed6-8aea2ce3dc93/cropped-New-Logo-RP-2-no-background-copy-e1687267555211.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/7ada37d2-d22d-4e67-bde7-196eb6af38f9/TransLogo272words2+2.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/8e22b36b-d41a-4174-b6bd-2124e1d4d832/cropped-cropped-cropped-logo_cadernopop_reduzido-3+1.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/72878d88-be73-4c69-8e12-0ddf95b2905a/Topo_Blogger.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/6f9ebd59-6ead-4f37-8ca9-9bda0f85eefb/TransLogo272words2+3.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/8e22b36b-d41a-4174-b6bd-2124e1d4d832/cropped-cropped-cropped-logo_cadernopop_reduzido-3+1.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/9365e019-7ef5-4100-9d9f-96fbc149812e/WhatsApp-Image-2021-07-14-at-07.47.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/c8076d29-45fe-4248-b6aa-967c077069c3/Design-sem-nome-1024x576.png https://www.nadinealtounji.com/bint-el-balad2fr daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613591478022-LWUYJ161CJ58B6DAY16C/NadineAltounji_Bint_Cover_Final_HighRes.jpeg Bint el Balad-2-fr - BINT EL BALAD Bint El Balad est une célébration des femmes originaires du Moyen-Orient et de l’Afrique du Nord nées dans la diaspora. Cette chanson est un hommage aux femmes que la conciliation de deux mondes différents a profondément transformées. La chanson rassemble Nadine Altounji, Nadia Bashalani and Dana El Masri, trois femmes dont les racines sont profondément ancrées dans le sol fertile des pays d’origine de leurs parents : la Syrie, le Liban et l’Égypte. Nadia et Dana sont les chanteuses principales, alors que Nadine et Mark Alan Haynes ont écrit et arrangé la musique. Nadine y joue aussi le oud, instrument dont jouait déjà son arrière-grand-père à Alep et sur lequel elle a appris à jouer les trois dernières années. Nadine a choisi le concept et titre de la chanson Bint El Balad, qui en est aussi le refrain, mais ce sont Nadia et Dana qui en ont écrit les paroles. La chanson, qui s’inspire du titre du film égyptien Bint El Balad (1955) (qui signifie La Fille de la campagne), suit l’évolution du concept de bint el balad dans le cinéma égyptien. La signification de ce concept a en effet changé suite au changement du régime en Égypte et ce, à mesure que s’instaurait la mainmise de l’État sur l’industrie du cinéma, et dont l’un des effets a été le contrôle de l’image de la femme. Nadine a ressenti le besoin de libérer bint el balad de l’emprise autoritaire des hommes et elle l’a réimaginée à travers le regard bienveillant des femmes. Cela a amené Nadine à se demander ce que représentait bint el balad dans les temps modernes. En fait, la chanson contient en elle à la fois l’interrogation et la réponse. La vidéo de Bint El Balad, dont Victorine Sentilhes a fait le tournage et le montage, met en scène Nadine, Nadia et Dana. Elle fait le portrait de l’évolution de bint el balad à travers les décennies vers l’incarnation moderne et libérée de la danseuse dont les habits reflètent la transformation. Cette vidéo est surtout une célébration des femmes, non pas en tant qu’objets des regards de convoitise des hommes, mais comme des personnes méritant toute considération. Dans cet univers intime, ces femmes de la diaspora chantent, dansent, se sentent bien dans leur peau et expriment plénitude et bien-être. https://www.nadinealtounji.com/escarba-en-mi-alma-fr-2 daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613625064576-30EFN6K4JM0DLCANZMPR/Escarba_en_mi_alma.Final_HighRes.jpeg Escarba en mi alma-fr-2 - ESCARBA EN MI ALMA Escarba en mi alma est le résultat d’une fertile collaboration auteur/compositeur qui s’étend au-delà des frontières. La chanson, qui s’inspire du Tondero, une forme de danse et de jeu de guitare du Pérou, met en scène Nadine à la guitare et au chant. La musique a été composée en collaboration avec Pedro Diaz, auteur-compositeur-interprète péruvien. Les paroles de la chanson sont de Marcia Castro Gamarra, poète et danseuse péruvienne que Nadine a connue à Cusco (Pérou) lors de ses recherches en préparation du projet. Les paroles, qui sont en espagnol, manifestent de manière poétique l’aspiration profonde des individus à mettre en valeur leur patrimoine culturel, le sentiment d’appartenance et les racines souvent déterrées et disparues à cause des conquêtes, du colonialisme et des assauts du temps. La vidéo d’Escarba en mi alma, où l’on voit danser Marcia Castro Gamarra, a été filmée au Pérou, à Cusco, par le cinéaste péruvien Johan Carrasco (avec d’autres séquences de Nadine tournées à Montréal par Victorine Sentilhes). La chanson, première fleur d’une fructueuse pollinisation croisée, dégage une nostalgie sincère et profonde. Elle incarne les joies et les peines inhérentes au genre humain et traverse le temps, l’espace et les différentes cultures pour venir nous toucher. https://www.nadinealtounji.com/nadine-biofr daily 0.75 2023-07-26 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1613415530284-1C50GAECEVKFNENP77UQ/Nadine-Altounji-about.jpeg Nadine Bio-FR - Nadine Altounji est une auteure-compositrice-interprète, chanteuse et multi-instrumentiste de Montréal. Ses passions musicales et ses compétences sont profondément ancrées dans le sol fertile de la Syrie, pays d’origine de ses parents. En plus d’être une chanteuse de talent, Nadine est une musicienne accomplie. Elle joue le piano, la guitare et le oud. Son premier EP solo I Still, qui incorpore le folk et le pop à la musique moyen-orientale, a été lancé en 2016 (sous le nom de Nja). Avec la publication de l’album The Stories that Tie Us to Trees, qui combine ensemble les traditions musicales du Moyen-Orient et celles de l’Amérique du Sud, Nadine met en en valeur son vrai nom, ainsi que sa véritable identité comme citoyenne du monde. Nadine, qui est une Canadienne de première génération, a grandi en regardant sa grand-mère syrienne jouer au piano des airs de chansons classiques moyen-orientales. Elle avait seulement cinq ans lorsqu’elle a appris à jouer du piano. Elle a par la suite confirmé sa passion pour la musique et sa portée culturelle en obtenant un Bac en Beaux-arts de l’Université Concordia, avec majeur en Études musicales. Nadine est une musicienne accomplie qui a toujours étudié et enseigné la musique et qui n’a jamais cessé d’utiliser ses compétences en collaborant avec d’autres artistes. Elle a ainsi collaboré comme auteure et comme guitariste avec l’artiste montréalais Wayne Tennant sur plusieurs chansons lancées sous le nom de ce dernier. Elle a été membre active du célèbre collectif musical montréalais Kalmunity; elle a aussi chanté et participé aux enregistrements du groupe Imani Gospel Singers. Au cours des cinq dernières années, Nadine s’est consacrée à explorer et à se connecter à son héritage moyen-oriental; elle a ainsi appris à jouer le oud, instrument traditionnel du Moyen-Orient, que jouait déjà son arrière-grand-père. Dans son premier EP solo, I Still, Nadine fait l’exploration musicale et lyrique de son propre cheminement vers l’acceptation de soi et l’auto-expression. Son prochain album explore des thèmes similaires avec une plus large perspective. Après avoir reçu une subvention en recherche et création du Conseil des arts du Canada, Nadine a séjourné quatre mois en Équateur et au Pérou à étudier et à explorer les formes et les traditions musicales locales et à discuter des questions identitaires et culturelles avant de retourner par la suite à Montréal pour préparer et entreprendre les enregistrements de son dernier projet : The Stories that Tie Us to Trees. https://www.nadinealtounji.com/bint-el-baladfr daily 0.75 2024-02-07 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/755b6db2-da81-4559-a662-d8d41c30dc95/teaser.767.Still016.jpg Bint el Balad-fr https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614193574090-L5DIGRSECSRYJD7RQTU5/Nadine-Altounji-bint-el-balad-33.jpeg Bint el Balad-fr - Nadine Altounji Bint el Balad-2-fr https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1614193574724-KE6QIJ1MTI2D36C7PWY2/Nadine-Altounji-bint-el-balad-17.jpeg Bint el Balad-fr - 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https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/dd19b9ac-8754-47b0-b096-a9e9088b7b05/ALABALI-teaser.00_00_02_11.Still025.jpg 3ala bali-2 - 3ALA BALI 3alabali (On My Mind) is a song about memories; nostalgia for homelands that have been transformed and, at times, rendered unrecognizable by the ravages of war. These traumatic images of destruction are often the only ones shown in the media. This song manifests a deep longing for that remembered place and time from which culture springs; it shows how memories can be carried in bodies and culture spread throughout the diaspora. Inspired by discussions about how they both longed to see loving, joyous representations of their rich cultural heritage, Dana El Masri wrote the Arabic lyrics for 3alabali (On My Mind), which she also sings. Nadine plays electric guitar while Ali El Farouk, is featured on the oud. Nadine composed 3alabali (On My Mind) that she then co-arranged with Mark Alan Haynes. Filmmaker, Victorine Sentilhes, created the stunning visual imagery for the video, a love song to the region that illustrates how culture, place and people, can live within us waiting to rise up. Sentilhes uses images of Aleppo and Damascus taken by photographer, director and musician Jason Hammacher of Lost Origin Productions. Hammacher first came to Nadine’s attention when she heard the ancient Christian chants he had recorded in Aleppo (a place where her father’s family has deep roots). Nadine’s varied family photos also give the video its depth and feeling. Other collaborators including Dana El Masri, Adel Bashalani, Sharif Mirshak, Christelle Franca, Anita Altounji, Michel Altounji and Mouna Maarawi offered personal photos from their families and travels. Sentilhes projects images from Syria, as well as from Egypt and Lebanon, onto the two women’s bodies where they flicker like dreams, with memories of the beloveds no longer with us. https://www.nadinealtounji.com/3ala-bali-fr-2 daily 0.75 2022-04-29 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/dd19b9ac-8754-47b0-b096-a9e9088b7b05/ALABALI-teaser.00_00_02_11.Still025.jpg 3ala bali-fr-2 - 3ALA BALI 3ala bali (dans mes pensées) est une chanson sur le thème de la nostalgie et des souvenirs des pays d’origine transformés et parfois rendus méconnaissables par les ravages de la guerre. Bien souvent, les images de destructions traumatisantes sont les seules que nous voyons dans les médias. La chanson révèle une profonde nostalgie à l’égard de lieux et de moments différents, d’où jaillit une culture vibrante, et qui sont bien ancrés dans la mémoire collective de la diaspora éparpillée aux quatre coins du monde. Les paroles de 3ala Bali (dans mes pensées), écrites et chantées en arabe par Dana El Masri, sont inspirées des discussions de Dana avec Nadine, qui les ont amenées toutes deux à prendre conscience d’un profond désir de réaliser une œuvre joyeuse et chaleureuse représentant leur riche héritage culturel. Nadine joue à la guitare électrique et Ali El Farouk joue du oud. Nadine a composé la musique de 3ala Bali (dans mes pensées) puis en a fait l’arrangement musical avec Mark Alan Haynes. C’est la vidéographe Victorine Sentilhes qui a tourné et monté ce superbe vidéoclip qui est une célébration vibrante et une démonstration de la manière dont nous conservons au fond de nous, tout prêts à s’épanouir, des éléments rappelant la culture, les sites et les gens de nos pays d’origine. Sentilhes utilise les images d’Alep et de Damas prises par le photographe et musicien Jason Hammacher, directeur des Lost Origin Productions. Hammacher a attiré l’attention de Nadine lorsqu’elle a entendu les anciens chants chrétiens qu’il avait enregistrés à Alep, ville d’origine de la famille de son père. Les diverses photos de famille de Nadine contribuent à donner à la vidéo profondeur et sensibilité, sans compter les autres collaborateurs, y compris Dana El Masri, Adel Bashalani, Sharif Mirshak, Christelle Franca, Anita Altounji, Michel Altounji et Mouna Maarawi, qui ont eux aussi gentiment offert des photos personnelles de leurs familles et de leur voyages. Dans la vidéo, Sentilhes projette des images de Syrie, d'Égypte et du Liban sur les corps des deux femmes: ces images se mettent alors à vaciller, tels des rêves ou des souvenirs d'être chers disparus. https://www.nadinealtounji.com/no-lo-olviden-fr daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/bf2fcfac-6ce3-426f-a710-aa6e65df3609/MASTER-NOLO-Teaser02.00_00_19_14.Still051.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/a667d368-6b25-41ef-b6aa-1a8adbca0f14/MASTER-NOLO-Teaser02.00_00_53_09.Still052.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/81edeb57-f38b-473b-b863-122b6a973713/MASTER-NOLO-Teaser02.00_01_09_22.Still054.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/aad043e0-17fd-40d4-bd8f-1d16a967f75c/MASTER-NOLO-Teaser02.00_03_27_22.Still060.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/17ab497e-19c2-4e5d-b5fe-0e848a0097ef/MASTER-NOLO-Teaser02.00_02_30_17.Still046.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/efde7cda-64d0-451b-ac90-32c150be473e/MASTER-NOLO-Teaser02.00_04_12_15.Still048.jpg No lo Olviden https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/96b90404-08af-4217-889b-9d6e2f75e441/MASTER-NOLO-Teaser02.00_03_16_14.Still058.jpg https://www.nadinealtounji.com/no-lo-olviden2fr daily 0.75 2022-06-06 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/efde7cda-64d0-451b-ac90-32c150be473e/MASTER-NOLO-Teaser02.00_04_12_15.Still048.jpg No lo Olviden-2-fr - NO LO OLVIDEN No lo olviden, cinquième et dernière chanson avec vidéoclip du Volume 1, est une chanson qui évoque les enfants et les horreurs de la guerre. Il s’agit d’un appel émouvant de la diaspora demandant justice et apaisement pour les familles et les cultures qui ont été déchirées par la guerre. Avec Nadine Altounji qui chante en espagnol et qui interprète aussi des mots en langue arabe, No lo olviden est une chanson qui traverse les continents, mariant langues et traditions musicales, assemblant les liens communs du désespoir et de la résilience et permettant de cicatriser les blessures causées par la colonisation et l'oppression. La première partie de No lo olviden est influencée par les rythmes afro-péruviens du lando sur guitare et cajon (tambour à boîte péruvien). Le lando est un genre musical qui a été créé par les populations jadis asservies. Ce genre a été longtemps ignoré, mais est devenu populaire dans les années soixante. Le lando a tellement captivé David Byrne, du célèbre Talking Heads, qu'il a assemblé et lancé en 1995 la première compilation internationale de musique lando, Afro-Péruvian Classics : The Soul of Black Peru. Comme tous les autres colonisateurs et esclavagistes, les Espagnols s’assuraient couramment que les esclaves proviennent de différentes tribus et régions d’Afrique. Cette politique d’oppression, qui visait à briser la cohésion tribale et à détruire les liens culturels, a cependant eu comme effet inverse d’inspirer et d’encourager les Afro-péruviens à créer de nouvelles formes musicales combinant les traditions africaines, andéennes et espagnoles. Nadine joue du oud et chante en arabe dans la deuxième moitié de la chanson, perpétuant ainsi cette pollinisation interculturelle. Les paroles de No lo olviden ont été écrites par la poète péruvienne Marcia Castro Gamarra à la suite de conversations avec Nadine au Pérou concernant les enfants, la guerre et les liens culturels qui nous relient les uns aux autres ainsi qu’aux lieux de nos origines. Pedro Diaz, auteur-compositeur-interprète péruvien résidant à Montréal, a participé avec Nadine à la composition de la musique. Il chante en espagnol avec Nadine et joue de la guitare. Le multi-instrumentiste Mark Alan Haynes a coproduit No lo Olviden avec Nadine et ils en ont fait ensemble l’arrangement musical. La vidéo de No lo Olviden, tournée et montée par Victorine Sentilhes, présente une Syrie ravagée par la guerre et comprend l’image métaphorique puissante d’un oud accroché à un arbre. Il s’agit d’une allusion à une histoire d’origine concernant cet instrument de musique emblématique. Selon cette histoire, attribuée au philosophe médiéval musulman Abû Nasr al-Fârâbî, le oud aurait été inventé par Lamech, grand-père de Noé, qui aurait eu l’inspiration de créer l’instrument après avoir accroché le corps de son fils décédé à un arbre. D’après la légende, il aurait donné au oud la même forme que celle du squelette de l’enfant. De nombreux autres auteurs ont écrit au sujet du oud et de ses pouvoirs d’apaisement. « Il remet le tempérament en équilibre… il apaise et ravive le cœur ». C’est cette légende qui a inspiré le projet et le titre de l’album : The Stories that Tie Us to Trees. Dans la vidéo, l’image du oud pendu à un arbre symbolise la souffrance du peuple arabe et appelle à la guérison par la musique. En effet, en plus d’être pour nous une manière de préserver la culture et de transmettre les traditions, la musique a toujours été une voie vers l’apaisement et vers un avenir collectif radieux. https://www.nadinealtounji.com/no-lo-olviden-2 daily 0.75 2022-06-06 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/efde7cda-64d0-451b-ac90-32c150be473e/MASTER-NOLO-Teaser02.00_04_12_15.Still048.jpg No lo Olviden - 2 - NO LO OLVIDEN No lo olviden, the fifth and final song/video in Volume 1, is a song about children and the horrors of war. It’s a haunting cry from the diaspora calling out for justice and healing for families and cultures that have been torn asunder by war. Featuring Nadine Altounji singing in Spanish and performing spoken word in Arabic, No lo olviden is a song that flows between continents, languages and musical traditions, bringing together common threads of despair and resilience to suture the wounds of colonization and oppression. The first part of No lo olviden was influenced by the guitar and cajón (a Peruvian box drum) rhythms of the landó, an Afro-Peruvian musical genre that was created by formerly enslaved peoples and was largely ignored until the 1960s. Landó so captivated David Byrne of Talking Heads fame that he compiled Afro-Peruvian Classics : The Soul of Black Peru, the first internationally released compilation of landó music, in 1995. Like all other colonists and slavers, the Spaniards made a practice of ensuring enslaved people came from different tribes and regions of Africa. This tool of oppression intended to break tribal cohesion and destroy cultural links had the inverse effect, inspiring Afro-Peruvian people to create new musical forms that combined African, Andean and Spanish traditions. Nadine plays the oud and recites Arabic spoken word in the latter half of the song, continuing the cross-cultural pollination. The lyrics for No lo olviden’s were written by Peruvian poet Marcia Castro Gamarra following their conversations about children, war and the cultural threads that bind us together and to a place. Montreal-based Peruvian singer songwriter Pedro Diaz, co-wrote the music with Nadine and sings in Spanish alongside her while plays guitar. Multi-instrumentalist Mark Alan Haynes co-produced and co-arranged No lo olviden with Nadine. Shot and edited by Victorine Sentilhes, the video for No lo olviden presents war-ravaged Syria as well as a powerful and metaphorical image of the oud hanging from a tree. The metaphorical image is drawn from an origin story about the iconic instrument and is attributed to the early Islamic philosopher and scholar Abu Nasr Al-Farabi. The oud was created by Noah’s grandfather Lamech, who was inspired after hanging the body of his dead son from a tree. The legend suggests that the shape of the oud resembled the shape of his son’s skeleton. Many others have written about and praised the oud for its healing powers. “It places the temperament in equilibrium … it calms and revives hearts”. This story inspired the project and album title, The Stories That Tie Us to Trees. In the video, the oud imagery symbolizes the suffering of the Arabic people and is a call for healing through music. Music is not only a way for us to carry culture and to transmit tradition but also a path towards healing and a collective uplifting future for all. https://www.nadinealtounji.com/contact-us-1 daily 0.75 2025-11-24 https://www.nadinealtounji.com/contact daily 0.75 2025-11-24 https://www.nadinealtounji.com/danslafoliedenostemps-en-1- daily 0.75 2023-09-21 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/137b5855-69f0-490d-9ddb-3ef5e6cbb479/Explo_DansLaFolie_FinaleCover.jpg https://www.nadinealtounji.com/vol-2-en daily 0.75 2024-02-01 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1698165700866-8AHZK0PE0K1J3BMPL3J6/Enracine%CC%81es_dans_l_histoire_EPCover.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/5d87c71c-298d-4cff-b714-bd25c7e1e8a2/DansLaFolie_FinaleCover+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1697419114442-0JSUR19VWP769J032LNF/PetitSoeur_AlbumCover.png https://www.nadinealtounji.com/album-fr-2 daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1698169459611-28H3S4G17RC05I2ZYH48/Enracine%CC%81es_dans_l_histoire_EPCover.png https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/6bb5aa5e-2834-432d-900e-7ef16ae31174/DansLaFolie_FinaleCover+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/290aac39-4715-49f2-a5a6-5922e516a37d/PetitSoeur_AlbumCover_3000px+%281%29.png https://www.nadinealtounji.com/dans-la-folie-de-nos-temps daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/5d87c71c-298d-4cff-b714-bd25c7e1e8a2/DansLaFolie_FinaleCover+%281%29.jpg https://www.nadinealtounji.com/petite-soeur daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1697419114442-0JSUR19VWP769J032LNF/PetitSoeur_AlbumCover.png https://www.nadinealtounji.com/enracines-dans-lhistoire daily 0.75 2025-11-24 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1698165700866-8AHZK0PE0K1J3BMPL3J6/Enracine%CC%81es_dans_l_histoire_EPCover.png https://www.nadinealtounji.com/enracines-dans-lhistoire-fr daily 0.75 2024-02-01 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/1698169459611-28H3S4G17RC05I2ZYH48/Enracine%CC%81es_dans_l_histoire_EPCover.png https://www.nadinealtounji.com/dans-la-folie-de-nos-temp-fr daily 0.75 2024-02-01 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/6bb5aa5e-2834-432d-900e-7ef16ae31174/DansLaFolie_FinaleCover+%281%29.jpg https://www.nadinealtounji.com/petite-soeur-fr daily 0.75 2024-02-01 https://images.squarespace-cdn.com/content/v1/5fc27378c14dfd36fefb5d78/290aac39-4715-49f2-a5a6-5922e516a37d/PetitSoeur_AlbumCover_3000px+%281%29.png